In some of the studio recordings you are hearing the guitar delay and room sound or studio reverb, not just delay. delay 1 time: 430ms -- feedback: 5-7 repeats - delay level: 30% -- delay type: warm digital Gilmour's delay on Coming Back to Life | The Gear Page Playing the RLH Rhythm Fills - with and without the delay, Playing the RLH Verse Chords - with and without delay. The reverb could have been added in the mixing stage, or it could be natural room reverb from mics positioned in the recording studio to capture the natural room sound. From long sustained notes that seem to go on forever, to the most tasty of blues licks, his sound is instantly recognizable. Syd's theme - Hollywood Bowl March 2016. - Boss CS-2 and Dyncomp compressors first, then CE-2B chorus in left channel added, the delay added, then plate reverb added. for providing some of the delay times and to Will for compiling a list of the 2015/16 tour delay times seen on David's digital delays! RUN LIKE HELL - This is one of the standout tracks from Pink Floyd's The Wall double album, with music written by David Gilmour. I'm not saying David sounds nothing like this live, but you are hearing the natural hall or stadium reverb of the venue in these recordings and in many cases, studio reverb added in the mixing stage. Each was set to 380ms, 7-8 repeats, with the delay volume almost equal to the signal volume. He used both in his 1980s live rigs, and continued to use the MXR System II up until 2016. The delay time must also be precisely in time with the song tempo. With regards to the actual sound of the echo repeats, there are essentially two types of delays - analog and digital. Both types have been described as "warm" sounding, which can get confusing. He became known for this effect as he used it for his guitar solo in practically every queen concert. www.gilmourish.com this website has info on Gilmours tone and gear used. Two delays running at different times fill in gaps between delay repeats, making the delay sound smoother with less obvious repeats. David played the first bass guitar you hear and Roger Waters played the second that comes in immediately after. Anyone got some David Gilmour delay settings Delay time depends on the era. It's just like the old Echoplex unit - David Gilmour from Guitar for the Practicing Musician, 1985, The Binson was an Italian made delay unit. Regardless, it is the combination of both delay and reverb that makes the delay sound so smooth in some instances. If you want to somewhat recreate his delay youre in luck, as its pretty simple. - In general, no - but sometimes, yes. In this clip I have one set for 380ms for Run Like Hell and one for 440ms for Another Brick in the Wall (part 1). Some of the other Program Select positions work for the Time intro too, like position 12. 560ms: feedback: 7-8 repeats - delay level: 25% -- delay type: clear digital, Sorrow Solo - Strat Pack version: buildup and arpeggio delay time: 300-310ms -- feedback: 7-8 repeats - delay level: 40% -- delay type: analog/digital, Eclipse Place the volume pedal before the delay in the signal chain so when you drop the volume to zero the delay repeats still decay naturally. Some of the most used digital delays in his live rigs were the MXR 113 Digital Delay (1977-1986), the MXR 151 Digital Delay System II (1983-2016), the Boss DD-2 (1983-1986, 2006), the TC2290 Dynamic Digital Delay (1987-1994), and the Free The Tone Flight Time FT-1Y Digital Delay (2015-2017). There is a misconception that David always used the Echorec for its multi-head function, but in reality he primarily used it in single playback head mode, just like any other typical delay. studio . solo: 420ms Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. Program Position 5 is equivalent to Switch Position 7 on the real Echorec, which is Head 4 + Head 3. David's T7E and PE603 Echorecs, and even the stock Echoplexes at the time, were not capable of anything even close to that length of delay. intro: TC 2290 Digital Delay and PCM 70 Delay: Delay 1= 470ms / Delay 2 = 94ms third solo (after dry solo): 380ms -- feedback: 2-3 repeats. The slide parts were made up of several multi tracked recordings, each playing slightly different, but similar phrases. David probably just uses the term triplet because what he does has a similar feel. He also used an Echorec PE 603 model from 1971-75 that had a maximum delay time of around 377-380ms. You can simulate the amp tremolo with just about any tremolo pedal or tremolo amp with a square wave shape. If you have a good sound in the room or hall you are playing in, there is no need to add reverb, but in small or dead sounding rooms, adding a small amount of reverb in your effects rig can really enhance the sound. If you get too high a quality bandwidth on a DDL you hear too much pinging and lose the sort of echo effect I use it for. I list a number when I can clearly hear them, otherwise 4-5 repeats is usually close. The 3/4 time delay is 380ms and the second 4/4 delay time is 507ms, or one repeat on every quarter note (one beat). He notoriously used a Binson Echorec for his delays, and many other vintage pedals and studio outboard gear to achieve his tone. A DD-2 was also seen in David's Medina studio around 2017. He began using digital delays in place of the Echorec around 1977. For the wet 1st and 3rd solos from Money I use basically the same settings, but I dial the mix knob up a bit for the third section after the dry solo. Check here for more Big Muffs to achieve the Gilmour tone. The fact that these two delays were studio effects may explain why David never played the slide parts live in the original Dark Side of the Moon concerts. Bass: 5-6. Best Delay pedal for tones ala David Gilmour? - My Les Paul Forum How to Sound Like Dave Gilmour - Guitar Lessons London David would play a chord, raise the volume pedal to send the signal into the SDE 3000, then lower the volume back to to zero to kill the input signal. Most digital delays create an accurate, pristine repeat that only decays in volume with each repeat, not in quality. Although he often blends different types of delays, creating rich textures and layers, I'm going to break it down into four signature setups covering each era. The slide parts actually were played on a pedal steel, a Fender 1000, but David just used it as a slide guitar and removed the foot pedals. The delays are set in series like this: The Binson Echorec is an analogue echo unit made by Binson in Italy. Gilmour uses pristine delays. For his 2015 tour he used a Providence Chrono Delay and two Flight Time delays. If you are playing at home on your amp with delay, the delay sound will be much more apparent than when you are playing with a full band, where the delay repeats will blend in the band mix much better. If you have a subdivisions setting (quarter notes, eighth notes, dotted eighth notes, et cetera) set it to quarter notes, or the normal setting. For the modulation, I use an old green 18v Electric Mistress or a 1980s era Deluxe Electric Mistress in the big box. The delay time must also be precisely in time with the song tempo. NOTE: This website is frequently updated. Run Like Hell Tone Building - Boss CS-2 compressor, Hartman Flanger, and two Boss DD-2 delays. RLH Intro live in 1984 - Live 1984_Hammersmith Odeon and Bethlehem Pennsylvania. Another option is to run two delay pedals simultaneously. There are several reasons. In the studio recording I hear one guitar playing the single note triplet time rhythm, a second guitar playing the fills, and a third guitar playing occasional accents on top of the fills. ..(later in song): 450ms -- feedback: 4-5 repeats -- delay level: 25% -- delay type: analog, Comfortably Numb - 1980-81 live version: intro and verse volume swells, first solo: 480ms -- feedback: 6-7 repeats It makes for a sound that really adds depth to the guitar tone in the mix, but is not cluttered by delay repeats. outro solo: 680ms -- feedback: 4-5 repeats. David is using two delays from a PCM70 rack delay to simulate the Echorec sound. second solo: 460ms -- feedback: 5-7 repeats, Dogs: Reverb was also added at the mixing desk when recording or mixing. It has a certain feel, which sounds boring and ordinary if you put it in 4/4. To truly delve into David Gilmour's sound, you'd need to do a lot of research and buy a lot of vintage gear. David Gilmour used the MXR Digital M-113 Delay, the Binson Echorec, and the TC Electronic 2290 in his recordings. The 3/4 "triplet" time will be inbetween in between these 4/4 and 2/4 settings on your delay. The 4/4 delay can barely be heard on the studio recording and is really not necessary, but it is fun to experiment with two delays. This is something us Gilmour fans have sought to recreate in our own playing. 1st delay 500ms. The SDE 3000 was set for a 1500ms delay, giving approximately 20-30 seconds of regenrated delay repeats. See all posts by Andrew Bell. Kits Secret Guitar, Gear, and Music Page Below is a medley of David using the Echorec from 1969-1977. The Effect Level (volume) and Feedback (number of repeats) will vary. It was my very first delay and one of my favorite pedals for Gilmour-ish delay. What delay pedal does David Gilmour? - Guitar Reviewed Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. Another interesting effect heard in the middle section of One of These Days is the use of that same "triplet" time delay along with a gated tremolo effect. I often hear a guitar recorded dry, a reverb only track, and a delay only track. David Gilmour Tone Building- Signal Chain Order - Kit Rae solo: 680ms -- feedback: 1 repeat - delay level: 30% -- delay type: digital. This is also one of the few Gilmour solos that features a heavy reverb effect, so it does not sound the same with delay only. David Gilmour Lead Guitar Tone PDF Download It had a maximum delay time of 320ms, but could be expanded to 1280ms by adding additional memory chips. delay time for both solos: 465ms or 480ms - feedback: 15-20% -- delay level: 20% (30-35% for waving part) -- delay type: digital, Comfortably Numb - Pulse version and most Division Bell tour performances: The effect actually works fine with only two delays. If running both delays in series, set the repeats however long you can go before oscillation starts, which is 8-10 repeats on most delays. second solo: 480ms -- feedback: 6-7 repeats Every aspect of his tone can change on different albums, even on different tracks of the same album! He would do this for each chord change in the intro to, David did an early version of sound-on-sound way back in October of 1970, in one of the few times Pink Floyd performed Alan's Psychadelic Breakfast live. second solo: 750ms -- feedback: 4-5 repeats, Comfortably Numb - MLOR tour: Delay Time: Shown in milliseconds. Theyre so famous they sell for a very high price and are deemed a collectable for many. Give Blood DELAY SETTINGS - Most of the delay times David Gilmour used in the early 1970s with Pink Floyd were around 300ms long, since that was the approximate delay time of head 4 on the Binson Echorecs he was using at the time. David's T7E and PE603 Echorecs, and even the stock Echoplexes at the time, were not capable of anything even close to that length of delay. 4. Alt. 3rd solo: 430ms, Money solos - 2015/16 live version: Solo: 440ms ? solos: 540ms, What Do you Want From Me? This creates a different bouncy feel to the delay rhythm. Most analog type delays have a lower quality repeat decay that rolls off more high end on each repeat. This may be a form of Automatic/Artificial Double Tracking (ADT) or simply a short slapback delay. second solo: 370ms -- feedback: 7-8 repeats -- delay level: 20% -- delay type: analogSyd's theme: 290ms -- feedback: 7-8 repeats - delay level: 20% -- delay type: analog - Most of the delay times David Gilmour used in the early 1970s with Pink Floyd were around 300ms long, since that was the approximate delay time of head 4 on the Binson Echorecs he was using at the time. On the left is my standard setting range for the early 1970s Gilmour Echorec sound. Volume 85% He did sometimes use the Swell mode. One of the smoothest guitarists in rock, Pink Floyd's David Gilmour has built a reputation for great melodic control and an expressive soloing approach that has influenced millions. BKB Tube Driver, Electro-Harmonix Electric Mistress, TC Nova delay. It also stems from the fact that people tend to look at things with their wallets, and analog gear is often much more expensive than its digital counterpart. Below is an example of me using an Echorec style delay in a cover of Pink Floyd's 1969 song Dramatic Theme form the More album. Comfortably Numb: Run Like Hell with 380ms and 507ms delay in series. In fact, Dark Side engineer Alan Parsons said plate reverb was virtually the only reverb used for those recordings, although he has said they also used as many as five or six tape machines to create various reverb delays.